|
||||||||||||||||
Sound BitesPlease note that these clips do not and cannot represent the amp’s tone accurately since there are so many variables that affect the recorded tone from the speaker cabinet to your computer speakers. These are here only to give you a hint of what the amp actually sounds like. |
|
|
ROCK CLIP – two panned rhythm guitars + center gtr: Bright channel settings: * Gibson Les Paul ’60 RI: Cut 2, Gain 5, Tone 5.5, Vol 7.5, Contour F. * Fender AVRI ’52 RI Tele w/ Fred Stuarts:: Cut 2, Gain 7, Tone 5.5, Vol 7.5, Contour F. * Duesenberg Mike Campbell DTV: Cut 2, Gain 7, Tone 5.5, Vol 7.5, Contour F. Provided by Justin Ostrander |
|
|
GAIN SWITCH CLIP – two guitars panned hard: Bright channel settings: * Fender ’52 AVRI Tele w/ Fred Stuart pickups: Cut 0, footswitch Gain (1) 4, footswitch Gain (2) 7.5, Tone 7, Vol 7, Contour F. * Gibson SG ’61 RI: Cut 0, footswitch Gain (1) 3, footswitch Gain (2) 7, Tone 7, Vol 7, Contour F. Provided by Justin Ostrander |
|
| V33 RANDOM CLIP: Provided by Justin Ostrander | |
|
|
Bright channel settings: Cut 1, Gain 4, Tone 8.5, Vol 7, Contour D. Guitar: Duesenberg Mike Campbell. Provided by Justin Ostrander |
|
Bright channel settings: Cut 1, Gain 4, Tone 8.5, Vol 7, Contour D. Guitar: Duesenberg Mike Campbell. Provided by Justin Ostrander |
|







“I just moved to Nashville to play music full time. If the amp were lost or stolen, I would find a way to get another one. ”
“I use many other vintage amps all the time, and the V33 far exceeds the many of them in tone. It adds so much to the sound of our band that was not there before…”
“I looked at BadCat, Matchless, Marshall, Bogner, and all of the high-end boutique amps but something about the V33 caught my attention…”